Issue Content

Volume 39, Number 6
September/October 2018

Focus: Theater

Gina Masucci MacKenzie's Introduction to Focus: Theater

S. P. Cerasano reviews W. R. Streitberger's The Masters of the Revels and Elizabeth I’s Court Theatre

Gina Masucci MacKenzie's "The Phantom of Reflection"

Sidney Homan's "Butoh Media: Spanning Cultures, Media, and Ages"

Daniel T. O’Hara reviews Robert Pfaller's Interpassivity

Stuart Pimsler reviews Robert Coover's Matinée

Brian Rhinehart reviews Adrienne Kennedy's He Brought Her Heart Home in a Box

Beverly C. Tomek reviews Renee C. Romano and Claire Bond Potter's Historians on Hamilton

Feature: On Short Stories

Tom Williams's "G.O.A.T. Short Collections"

Dan Wickett's "I Love Short Story Collections"

Amber Sparks's "Women’s Work"

Erika T. Wurth reviews Sherman Alexie's The Lone Ranger and Tonto Fist Fight in Heaven

Joseph Bates reviews Denis Johnson's Jesus’ Son

Ryan Ridge reviews Barry Hannah's Airships

William Householder reviews Alissa Nutting's Unclean Jobs for Women and Girls

Book Reviews

Marc C. Conner reviews Charles Johnson's Night Hawks

Jessica Schnee reviews Alicia Eler's The Selfie Generation

Travis Mandell reviews Richard Klin's Petroleum Transfer Engineer

Anne Whitehouse reviews Joy Gaines-Friedler's Capture Theory

Jane Rosenberg LaForge reviews Margot Singer's Underground Fugue

Jan Garden Castro reviews Sarah Charlesworth, Rochelle Steiner, ed., Sarah Charlesworth

Marc Jampole reviews James B. Nicola's Wind in the Cave

Rosalie Calabrese reviews Sally Van Doren's Promise

Esteban Rodríguez reviews Michael Waters's Celestial Joyride

Alysse Kathleen McCanna reviews Rachel McKibbens's blud

Sparrow reviews Jeffrey Cyphers Wright's Blue Lyre

Departments

Page 2—Jeffrey R. Di Leo's "Philosophy without Apologies"

Scenes—Cinestate: An interview with Jessica Safavimehr

Volume 39 Index