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Volume 32, Number 5
July/August 2011
Who's In? Who's Out
“Introduction to Focus: Who’s In? Who’s Out?”
Mark Amerika, Lee Bellavance, Jeff Bursey, Terry Caesar, John Domini, L. Timmel Duchamp, Sascha Feinstein, William Flesch, Geoffrey Gatza, Robin Truth Goodman, Alexis Pauline Gumbs, Jerry Harp, Joseph D. Haske, George Held, W. Lawrence Hogue, Harold Jaffe, Steven G. Kellman, David Kress, Alyson Leitch, Michael Lindgren, Charles Marowitz, Christian Moraru, Lance Olsen, William O’Rourke, Liedeke Plate, Pedro Ponce, Jonah Raskin, Sheri Reda, Kevin Sampsell, Davis Schneiderman, J.D. Smith, Keith Taylor, Warren Woessner’s “Who’s In? Who’s Out?”
Feature: Tomorrowland Fictions
Lydia Netzer reviews Janice Lee’s Daughter
Amber Sparks reviews eds. Ben Segal and Erinrose Mager’s The Official Catalog of the Library of Potential Literature
Kim Chinquee reviews Amelia Gray’s Museum of the Weird
Davis Schneiderman reviews William Gillespie’s Keyhole Factory
Feature: Into the Wild
John Stazinski reviews Alan Heathcock’s Volt
Joseph D. Haske reviews Ron Cooper’s Purple Jesus
Ryan Stone reviews Andrea Fekete’s Waters Run Wild
Book Reviews
Stephen Burn reviews David Foster Wallace’s The Pale King
Matthew Kirkpatrick reviews Stephen-Paul Martin’s Changing the Subject
Maggie Schwed reviews Paul Oppenheimer’s In Times of Danger
Matt Baker reviews Ben Tanzer’s You Can Make Him Like You
Paula Koneazny reviews Kate Tarlow Morgan’s Circles & Boundaries
C.W. Cannon reviews David Bajo’s Panopticon
Mike Ingram reviews Benjamin Percy’s The Wilding
Daniels S. Libman reviews Alan Michael Parker’s Whale Man
Kirby Olson reviews Todd F. Tietchen’s The Cubalogues: Beat Writers in Revolutionary Havana
Melanie Page reviews Elise Blackwell’s An Unfinished Score
John Domini reviews Tina May Hall’s The Physics of Imaginary Objects
Brad Vice reviews David Madden’s Abducted by Circumstance
Gina Frangello reviews Francine Prose’s My New American Life
Jeff Bursey reviews Chris Benjamin’s Drive-By Saviours
Departments
Page 2—Jeffrey R. Di Leo’s “The Politics of Subvention: Crisis in the Humanities II”
Scenes—sunnyoutside
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