Volume 34, Number 5
Manuel Luis Martinez's Introduction to Focus: "Writers and Activism through Criticism"
Caroline Morris reviews Valerie Martin's Property and Trespass
David Wright's "Invisible Boys"
Walter Muyumba reviews John Edgar Wideman's Briefs: Stories from the Plam of the Mind
Manuel Luis Martinez interviews Jon Wei of "The Telling Project"
Click here for a web-exclusive supplement to issue 34.5's interview with Jon Wei
Christopher Carmona's "Un Trip to El Valle"
Martin Joseph Ponce reviews Gina Apostol's Gun Dealers' Daughter
Feature: American Characters
Megan Milks reviews Kim Gek Lin Short's China Cowboy
Tara Stillions Whitehead reviews Lary Fondation's Martyrs and Holymen
Alta Ifland reviews Ben Miller's River Bend Chronicle: The Junkification of a Boyhood Idyll amid the Curious Glory of Urban Iowa, photographs by Rober Campagna
Erin A. Smith reviews Sarah Churchwell and Thomas Ruys Smith, eds. Must Read: Rediscovering American Bestsellers -- From Charlotte Temple to the Da Vinci Code
E. Ethelbert Miller reviews Clifford Thompson's Love for Sale
Alison Gibbons reviews Mark Z. Danielewski's The Fifty Year Sword
Pat Falk reviews Howard Faerstein's Dreaming of the Rain in Brooklyn
Gerald L. Bruns reviews Azareen Van der Vliet Oloomi's Fra Keeler
Fred Muratori reviews Kathleen Spivack's With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz, and Others
Mollie Boutell reviews Courtney Elizabeth Mauk's Spark
Annalisa Pesek reviews Mark Rutkoski; Vivien Knussi, trans., Words of Love
Evan Steuber reviews Roy Kesey's Any Deadly Thing
Mike Ingram reviews Gabriel Blackwell's Shadow Man: A Biography of Lewis Miles Archer
Daniel Shapiro reviews Vicente Aleixandre; Stephen Kessler, trans., Poems of Consummation
Beth McDermott reviews Kelly Cherry's The Life and Death of Poetry
Kat Meads reviews C. James Bye and Jessa Bye, eds., The Way We Sleep
James Tadd Adcox reviews Steven Schwartz's Little Raw Souls
Page 2—Jeffrey R. Di Leo's "A Sense of the Past: Editing in America I"
Scenes—Futurepoem: An Interview with Dan Machlin
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