Back Issue
Volume 29,
Number 2
January/February 2008
Charles B. Harris’s “Introduction to the Focus: Famous Last Words”
“100 Best Last Lines from Novels”
James Phelan’s “Completion and Farewell”
Charles Alcorn’s, Mark Amerika’s, Jeffrey R. Di Leo’s, John Domini’s, Brian Evenson’s, Peter Freese’s, Stacey Gottlieb’s, Doug Hesse’s, Paula Koneazny’s, Lance Olsen’s, James Schiff’s, Davis Schneiderman’s, Robert Scholes’s, Susan Strehle’s, Steve Tomasula’s, and Regina Weinreich’s “Famous Last Words: A Congeries of Reflections”
Feature: The Impersonal Essay
J.D. Smith reviews Lia Purpura’s On Looking
Anne McDuffie on Lucia Perillo’s I’ve Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature
Anis Shivani reviews Anne Fadiman’s At Large and At Small: Familiar Essays
Judith Kitchen reviews Lawrence Weschler’s Everything That Rises: A Book of Convergences
Book Reviews
Walter R. Jacobs reviews S. Torriano Berry’s and Venise T. Berry’s Historical Dictionary of African American Cinema
Maria Damon reviews eds. Elisabeth A. Frost’s and Cynthia Hogue’s Innovative Women Poets: An Anthology of Contemporary Poets and Interviews
Barry Wallenstein reviews Sascha Feinstein’s Ask Me Now: Conversations on Jazz & Literature
Christian Moraru reviews Dumitru Tsepeneag’s (Patrick Camiller, trans.) Vain Art of the Fugue
Laird Hunt reviews Derek White’s Poste Restante
Teresa Carmody reviews Corrina Wycoff’s O Street
Greg Oaks reviews Renee Dodd’s A Cabinet of Wonders
Jessica Murray reviews Albert Goldbarth’s The Kitchen Sink: New and Selected Poems: 1972-2007
Eric L. Ball reviews ed. Robert Root’s Landscapes with Figures: The Nonfiction of Place
Selah Saterstrom reviews Danielle Dutton’s Attempts at a Life
Jim Feast reviews John Olson’s The Night I Dropped Shakespeare on the Cat
Jeff Bursey reviews Gabriel Josipovici’s Everything Passes
Sean Bernard reviews Larry Fondation’s Fish, Soap and Bonds
Danny Rivera reviews Bob Hicok’s This Clumsy Living
Scott Rettberg reviews David Markson’s The Last Novel
Louis McKee reviews David Hilton’s Living Will
Departments
Page 2—Jeffrey R. Di Leo’s “Pleasure in the End”
LineOnLine Antonello’s Lion; Table of Forms; A Life Above Water; Global Feminisms: New Directions in Contemporary Art; Ooga-Booga; and Follies of Science: 20th Century Visions of Our Fantastic Future.
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