Focus: Machine Writing — January / February 2014

Machine Writing

Volume 35, Number 2
January-February 2014

Excerpts available through Project Muse; full articles available to Project Muse subscribers.

Steve Tomasula’s Introduction to Focus: “00.0 Machine Writing”

Mark C. Marino reviews Nick Montfort’s Taroko Gorge and ppg256

Rita Raley reviews Nick Thurston’s Of the Subcontract: Or Principles of Poetic Right

Jessica Pressman reviews Amaranth Borsuk and Brad Bouse’s Between Page and Screen

Susan Vanderborg reviews Bill Kennedy and Darren Wershler-Henry’s apostrophe

Feature: Neo-Novellas; Personal Jesus

Joseph Bates reviews Nick Ripatrazone’s This Darksome Burn

Elizabeth J. Colen reviews Kelcey Parker’s Liliane’s Balcony: A Novella of Fallingwater

Alain Arias-Misson reviews Yuriy Tarnawsky’s The Placebo Effect Trilogy

Jessica Berger reviews Colin Winnette’s Fondly

Lynn Pruett reviews Lucy Corin’s One Hundred Apocalypses

Anthony Uhlmann reviews J.M. Coetzee’s The Childhood of Jesus

John Bell reviews Monique Ingalls, et al, eds., Christian Congregational Music

Book Reviews

Thomas Larson reviews G. Thomas Couser’s Memoir: An Introduction

John Tytell reviews Glenn O’Brien, ed., The Cool School: Writing from America’s Underground

Kyle Minor reviews Steve Davenport’s Overpass

Beth McDermott reviews Claire L. Martin’s Eating the Heart First

Brooke Wonders reviews Micah Dean Hicks’s Electricity and Other Dreams

Ken Jones reviews Harold Jaffe’s Paris 60

Hasanthika Sirisena reviews Burt Kimmelman’s Gradually the World: New and Selected Poems

Rosalie Calabrese reviews Hannah S. Hess’s Honest Deceptions

CL Bledsoe reviews Steve Yates’s Some Kinds of Love: Stories

Daniel Green reviews Davis Scheiderman’s [SIC]

Daniel Leary reviews David Joel Friedman’s Soldier Quick with Rain

Valerie Bandura reviews Matthew Lippman’s American Chew

Alex DeBonis reviews Jim Gavin’s Middle Men

Departments

Page 2 – Jeffrey R. Di Leo’s “Don’t Fear the Reaper”

Scenes: “The Venice Biennale” by Alain Arias-Misson

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