Focus: Digital Art — Winter 2023

Focus: Digital Art

Volume 44, Number 4
Winter 2023

Excerpts available through Project Muse; full articles available to Project Muse subscribers.

From the Editor

Commerce with Montaigne by Jeffrey R. Di Leo

Focus: Digital Art

Introduction by Jessi Rae Morton

Jessi Rae Morton reviews The Story of NFTs: Artists, Technology, and Democracy by Amy Whitaker and Nora Burnett Abrams

Hannah Grannemann reviews Radical Friends: Decentralised Autonomous Organizations and the Arts ed. by Ruth Catlow and Penny Rafferty

Terry Smith reviews Culture Strike: Art and Museums in an Age of Protest by Laura Raicovich

Chris Colvin reviews Counter-Texts: Language in Contemporary Art by Kim Dhillon

Gavin Sourgen reviews The Art of Diremption: On the Powerlessness of Art by Leonhard Emmerling

Rene Marzuk reviews My New Novel/The Down Payment by Ottessa Moshfegh and Issy Wood

No, Alexa: AI Isn’t Going to Destroy Art by David Riddle Watson

Interventions

Frederick Luis Aldama interviews Ben Okri

Lost and Found

In Search of “The Star-Spangled Banner” by Anthony Madrid

Fiction

John Schertzer reviews Kid Coole by M. G. Stephens and King Ezra by M. G. Stephens

Allan Graubard reviews The Illuminated Burrow by Max Blecher

Edward M. Bury reviews Ride On, See You by Ann McGlinn

Vivian Arimany reviews Mr. President by Miguel Ángel Asturias

Neil D. Isaacs reviews Passing Again by Tom LeClair

Bob Duxbury reviews Twenty Stories by Jack Driscoll

E-feature

The Literary Assistant as Point Guard by E. Ethelbert Miller

Cartography

Point of View and Cognitive Mapping: The Case of Mrs. Dalloway by Robert T. Tally Jr.

Translation

The Translation Stone by Brian O’Keeffe

Poetry

Michael Joyce reviews Foundlings: Found Poems from Prose by DeWitt Henry

Adam Vines reviews Where We Lay Down by Jeffrey Franklin

Patricia Laurence reviews The Place Where Grief Begins by Christopher Hirschmann Brandt

Cory Massaro reviews The Damage Done by Susana H. Case

Mark Fishbein reviews Wherever I’m At: An Anthology of Chicago Poetry ed. by Donald G. Evans and Robin Metz

Christopher Winks reviews A Suite of Dances by Mark Weiss

The Laureates

An Appalachian Voice Speaks for Ohio: A Conversation with Kari Gunter-Seymour by Renee H. Shea

Criticism

David Riddle Watson reviews The Cambridge Companion to World Crime Fiction ed. by Jesper Gulddal, Stewart King, and Alistair Rolls

Robery T. Tally Jr. reviews Criticism and Politics: A Polemical Introduction by Bruce Robbins

Eckhard Gerdes reviews BRUT: Writings on Art & Artists by Harold Jaffe

Cultural Studies

Josh Polinard reviews The Melancholia of Class: A Manifesto for the Working Class by Cynthia Cruz

Printers and Poets

Particularly the Press by Charles Alexander

Scenes

Scenes: Soft Skull Press: An Interview with Mensah Demary

Poetics to Come

Panentheism: Ontology of the Future, or Poetics by Daniel T. O’Hara

The Departed

Cormac McCarthy’s Abendrot by David Cowart

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