Theater
Volume 39, Number 6
September-October 2018
Excerpts available through Project Muse; full articles available to Project Muse subscribers.
Gina Masucci MacKenzie’s Introduction to Focus: Theater
Gina Masucci MacKenzie’s “The Phantom of Reflection”
Sidney Homan’s “Butoh Media: Spanning Cultures, Media, and Ages”
Daniel T. O’Hara reviews Robert Pfaller’s Interpassivity
Stuart Pimsler reviews Robert Coover’s Matinée
Brian Rhinehart reviews Adrienne Kennedy’s He Brought Her Heart Home in a Box
Beverly C. Tomek reviews Renee C. Romano and Claire Bond Potter’s Historians on Hamilton
Feature: On Short Stories
Tom Williams’s “G.O.A.T. Short Collections”
Dan Wickett’s “I Love Short Story Collections”
Erika T. Wurth reviews Sherman Alexie’s The Lone Ranger and Tonto Fist Fight in Heaven
Joseph Bates reviews Denis Johnson’s Jesus’ Son
Ryan Ridge reviews Barry Hannah’s Airships
William Householder reviews Alissa Nutting’s Unclean Jobs for Women and Girls
Book Reviews
Marc C. Conner reviews Charles Johnson’s Night Hawks
Jessica Schnee reviews Alicia Eler’s The Selfie Generation
Travis Mandell reviews Richard Klin’s Petroleum Transfer Engineer
Anne Whitehouse reviews Joy Gaines-Friedler’s Capture Theory
Jane Rosenberg LaForge reviews Margot Singer’s Underground Fugue
Jan Garden Castro reviews Sarah Charlesworth, Rochelle Steiner, ed., Sarah Charlesworth
Marc Jampole reviews James B. Nicola’s Wind in the Cave
Rosalie Calabrese reviews Sally Van Doren’s Promise
Esteban Rodríguez reviews Michael Waters’s Celestial Joyride
Alysse Kathleen McCanna reviews Rachel McKibbens’s blud
Sparrow reviews Jeffrey Cyphers Wright’s Blue Lyre
Departments
Page 2—Jeffrey R. Di Leo’s “Philosophy without Apologies”
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ARCHIVES
Archives: Charles Johnson reviews Richard Wright
Charles Johnson reviewed Richard Wright's American Hunger in the inaugural issue of the American Book Review, Volume 1 , No. 1, December 1977.
