Focus: Avant-Pop II — October/November 1996
nina2022-08-01T23:53:18+00:00Technology catches up with the dream-narrative apparatus: identity as a mapping onto the ever-morphing web of narratological spaces.
Technology catches up with the dream-narrative apparatus: identity as a mapping onto the ever-morphing web of narratological spaces.
Avant-Pop offers an aesthetic sensibility combining Pop-Art's focus on mass culture with the avant-garde's spirit of transgression.
Essays and reviews on contemporary gay poetry, lesbian fiction, and publishing LGBTQ writing.
Jonathan Cohen reviews The Memory Wars: Freud's Legacy in Dispute by Frederick Crews. Crews responds.
Essays and reviews examining the "unaccountable presence" of Black writers using innovative forms.
New technological achievements do not have to mean the forceful displacement of older media, but a recombination towards higher complexity.
Public funding plays a vital role in the survival of not-for-profit literary presses, magazines, and organizations.
Reviews of books on African-American artists, death metal, rock-n-roll poetry, experimental theatre, and women in cinema.
Essays by Matthew Fuller, Bruce ByPass, Sadie Plant, Howard Slater, and Stewart Home.
The erotic impulse includes the mysterious, the unspoken, the implied promise.
Essays about art in the public interest and art in the public's face, art that the public more or less wishes would go away.
Reviews of memoirs, studies, and biographies of Reinaldo Arenas, H.D. & Robert Duncan, Stuart Gilbert & James Joyce, Jean Genet, and Neal Cassidy.
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