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The small presses highlighted here are generally the brainchildren of founders who are themselves writers, who have formed presses for the purpose of publishing writers whose work they believe in.
Poetry without walls celebrates a community where a rigorous and productive exchange of ideas and information about the work itself is the norm.
What constitutes a "bad" book? The answers here demonstrate the sheer variety of responses to what at face value seems a simple question.
Numerous anthologies and scholarships announced their intention to expand the boundary of Asian American literature to encompass different ethnic origins, nationalities, sexualities, genders, and histories.
Women writers rethinking how fiction can be shaped and how language can disrupt and enhance our perceptions.
A rich, diverse, and suggestive range of responses concerning the future of fiction.
Short essays on methods, joys, and agonies of teaching creative writing.
Many contemporary memoirists are concerned as much with how memory works as they are with the memory is recollecting.
Posthumanism calls for a more radical ethics that contests humanism's privileging sameness and exclusion of difference.
New independent small presses and new voices from the American South.
Contributions to the critical conversation about affect and emotion, and their place in the public sphere in cultures of the present and past.
French Caribbean authors tackle the complexity of their collective history, the alienating experience of assimilation, and the dangers of assuming familiarity.
The American Book Review is an award-winning, internationally distributed publication specializing in reviews of published works of fiction, poetry, and literary and cultural criticism from small, regional, university, and avant-garde presses. For over forty years, ABR has been a staple of the literary world.
Phone: (361) 248-8245
Email: americanbookreview@gmail.com
ABR is published by the University of Nebraska Press.
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