Focus: Top 40 Bad Books — January / February 2010
nina2022-06-24T21:52:05+00:00What constitutes a "bad" book? The answers here demonstrate the sheer variety of responses to what at face value seems a simple question.
What constitutes a "bad" book? The answers here demonstrate the sheer variety of responses to what at face value seems a simple question.
Numerous anthologies and scholarships announced their intention to expand the boundary of Asian American literature to encompass different ethnic origins, nationalities, sexualities, genders, and histories.
Women writers rethinking how fiction can be shaped and how language can disrupt and enhance our perceptions.
A rich, diverse, and suggestive range of responses concerning the future of fiction.
Short essays on methods, joys, and agonies of teaching creative writing.
Many contemporary memoirists are concerned as much with how memory works as they are with the memory is recollecting.
Posthumanism calls for a more radical ethics that contests humanism's privileging sameness and exclusion of difference.
New independent small presses and new voices from the American South.
Contributions to the critical conversation about affect and emotion, and their place in the public sphere in cultures of the present and past.
French Caribbean authors tackle the complexity of their collective history, the alienating experience of assimilation, and the dangers of assuming familiarity.
Women of color founded independent presses to keep their work available in an American publishing market that was willing to ignore them or was actively violent to their interests.
The luminous qualities of art—including jazz and literature—are anything but time sensitive.

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