Focus: New Lyric Poetry — May / June 2007
nina2022-07-03T14:48:08+00:00The New Lyric is the Old Lyric refashioned, reconstructed, revitalized, rehabilitated, reimagined, reaffirmed, reincarnated, redeployed, renewed.
The New Lyric is the Old Lyric refashioned, reconstructed, revitalized, rehabilitated, reimagined, reaffirmed, reincarnated, redeployed, renewed.
The cosmopolitan both presupposes and displaces its supranational framework in order to reframe it.
Anthologies provide a momentary vision of a continuously changing literary landscape.
Cultural isolationism is an untenable position in a world of ever-growing cultural homogenization and assimilation.
Wit has just as much to do with the "serious sublime" as it does with perfect punch lines—those language acts that fit their set-ups even while leaping beyond them.
Our abstractions are only as good as we are--as we can make ourselves, as we aspire to make ourselves.
While a claim of "best" is objectively indefensible and absurd, the editors of "best of" series have attempted impossible tasks, and have done a pretty fair job.
Poetry contests have come under flack in literary circles for their reliance on connections and affiliations; this issue focuses on the prizewinning books themselves.
Editor Charlie Harris contacted reviewers, critics, literature professors, writers, and readers to submit first lines for consideration and then vote to rank the “top 100” opening lines from novels.
Editor Andrew Ervin tracked down seven young fiction writers to share their thoughts on translated Eastern European literature.
Reviews of books of poetry investigating opacity and juxtaposition, with language itself as a topic.
Reviews of books on Theodore Dreiser, Ezra Pound, Peggy Guggenheim, and Zelda Fitzgerald.
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